The Deviousness Award is an accolade which is traditionally handed out on the 1st of every month to one truly outstanding deviant.
Artist's Comments
------ updated October 18th 2008, fine art print added ------
------ updated October 20th 2007 ------ ------ ------ ------ ------ ------ Image Description: This is not a parable told in light, not a rational absolute message, and is not conceptual work for a change. I thought I would give my viewers intellects a rest and let their intuition out for some exercise. Another title that is a play on words. Ghost craft as in ghost ship, mainly, but also craft as in evasiveness/guile to hint at the visual nature of the forms, and also ghost[s] craft as in the artful working of the spirit. Im getting better at finding names imho. [laughs] Direct influence from Japanese art philosophy and style, mainly in composition as you may notice. In visual terms I am, as always when I work with water, in debt to Hiroshi Yoshida in particular. As clear as the influence is, its also clear that this departs in many areas I would not compare it directly, it is it's own species. I would still consider it an example of wabi-sabi driven artwork, [almost textbook, in fact], because its a rare case of me not using my elements symbolically [which disqualifies it]. Although I often use natural elements consistent with wabi-sabi, I almost always hang concepts onto them making them symbols in a westernized manner changing profoundly the nature of the work. The image is therefore somewhat a unique item in my collection, and therefore is moved out of scrapbook and into the gallery to add variety. ------ ------ ------ ------ ------ (Open Edition) Print Version: Color Version (also see the CommentsFantastic work on colour and light here. It almost looks like a natural gradient, from golden to blue. A+ work. Great to see you come out of your shell, btw
-- Someone feed the monkey while I dig in search of China. Proud member of =resurgere My PRINTS: Dancing to the sound of voodoo and fish nightmares Thanks man [nods] Don’t know if I’m coming out of my shell, more like hanging some camouflage on the outside so my armor would be less conspicuous.
I first uploaded a copy with the wrong color space, looked horrid on my screen. Web-browsers need color-space management built in, I hope it looks ok for most people but I suspect the color is off unless you load it into photoshop and compensate the space. -- www.wrothstudio.com Heh, I always seem to write too much or nothing at all in my descriptions. It’s not easy providing the right amount of context without over-explaining it. The important thing is the image, so people can ignore the text if they like
Anyhow happy you like it, and I'm happy your back in the game like I said, looking forward to seeing more of your stuff when you get the chance to share it. -- www.wrothstudio.com Congrats on the title evolution. I stil have trouble with it, though hopefully I'll get some more practice trying now because I got a sketchbook for my birthday. I really like how you were able to capture the wood under the water. It really lends to that ethereal feeling. I really like the colors, though I hope I'm seeing them accurately, seeing as I'm on an LCD at work. I think they worked really well to move the focus of your eyes though.
-- .-~*The Pain in Pleasure often becomes our Pleasure of Pain*~-. the golden light of the reflecting sun makes you feel warm & safe, then you feel the shaddows of dusk creating a darkness which seems to be lurking in the water, waiting. the twisted branches are beautiful silhoutes at first glance, then the dark prevails once again.
it's that time of day i love most where the light of nature plays wonderful tricks on our landscape. Its great how the reflection becomes such in integral part of the overall main element and the golden color merging with the blue is lovely - I especially love how you can see the part of the subject that is underwater as well
-- Lisa Sweet Prints Customer Service ~shop | FAQ | HELP -- ♥ for the animals ♥ [link] I'm deeply in-debt to Yoshida for all that you mentioned, my formal approach to water is very much informed by his own approach.
-- www.wrothstudio.com |
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July 5, 2006
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